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Superman

Jurasic-Wrld-and-Super-Man

Jurasic-Wrld-and-Super-Man

Hollywood movie fans in India had plenty to cheer for in July 2025 with the release of two major titles, Jurassic World Rebirth and Superman. Both franchises have enjoyed long-standing popularity across the globe, and their fan base in India has only grown stronger over the years. That craze was clearly visible in the box office numbers.

Jurassic World Rebirth, which hit theatres on July 4, 2025, opened to mixed reviews. However, the strong buzz and the appeal of the 3D format helped it gross around Rs. 97 crore in its first 13 days. The film made approximately Rs. 70 crore in its opening week alone, and it is likely to end its theatrical run in India with a gross of around Rs. 105 crore.

Superman, directed by James Gunn, has also had an impressive start. In just six days, the film has grossed nearly Rs. 46 crore across India, including earnings from 3D screenings. Industry estimates suggest it could reach around Rs. 75 crore by the end of its run.

In the Telugu states of Andhra Pradesh and Telangana, Jurassic World Rebirth grossed close to Rs. 9.8 crore so far, while Superman earned around Rs. 6 crore.

One thing is certain. Both Hollywood films have managed to outperform regional releases in terms of buzz, audience turnout, and box office performance.

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The Central Board of Film Certification (CBFC) is facing widespread criticism over its recent censorship of Hollywood films like Superman and F1, while Indian films continue to pass with minimal cuts.

Recently released James Gunn’s Superman and Brad Pitt’s F1 were edited to receive a U/A 13+ rating. A 33-second kiss between Superman and Lois Lane was removed, and a middle-finger emoji in F1 was altered. These changes have sparked strong reactions on social media.

On platforms like X and Instagram, users and even a few celebrities have accused the CBFC of double standards. They point out that Indian films across languages like Hindi, Telugu, Tamil, Malayalam, and Kannada often include violence, bold romance, and mature themes but rarely face the same level of scrutiny. Many believe this selective censorship affects the narrative and emotional depth of international films, reducing the overall viewing experience.

Although criticism of the CBFC is not new, the growing popularity of global cinema in India has intensified the debate. Viewers are calling for a consistent and fair certification process that respects creative expression, regardless of the film’s origin. Whether the board responds to these concerns or continues with its current approach remains to be seen.

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