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Maareesan Movie Review In Telugu

Maareesan Movie Review In Telugu

Movie Name :  Maareesan
Streaming Date : Aug 22, 2025
Streaming Platform : Netflix
123telugu.com Rating : 2.75/5
Starring : Fahadh Faasil, Vadivelu, Kovai Sarala and Others
Director : Sudheesh Sankar
Producer : R. B. Choudary
Music Director : Yuvan Shankar Raja
Cinematographer : Kalaiselvan Sivaji
Editor : Sreejith Sarang

Related Links : Trailer

Maareesan marks the reunion of Mollywood actor Fahadh Faasil and Kollywood actor Vadivelu after Maamannan. The Tamil movie has recently made its entry into the digital space. The Telugu version is also available on Netflix. Here’s a detailed review.

Story:

Daya (Fahadh Faasil) is a thief. While attempting to loot a house, he encounters Velayudham (Vadivelu) in an unexpected situation. Velayudham asks Daya to let him go and drop him at the nearest bus station. Daya agrees, but only in exchange for money. Velayudham requests Daya to free him and drop him at a nearby bus station. In return, Daya asks for money, which Velayudham agrees to. In the process, Daya learns that Velayudham has Alzheimer’s and plans to steal his money. As their journey unfolds, shocking truths emerge. Who is Velayudham really? Is he truly a patient, or does he have another motive? Is Daya a cruel man or a soft-hearted thief? These questions, along with others, are revealed as the story progresses.

Plus Points:

Vadivelu, widely known for his comedic roles, has rarely been explored in serious roles. In the past, many comedians have stated that actors capable of doing comedy can handle any role, and Vadivelu proves it with Maareesan. As a character with Alzheimer’s, he delivers a restrained and powerful performance that draws the audience into the story. The darker turn his character takes later is another highlight of his performance, showing his versatility once again.

Fahadh Faasil’s decision to play Daya is appreciative. Though the story centers around Vadivelu, he accepted the role and skillfully portrayed a character full of contrasts – soft, cruel, humorous, and innocent. His scenes and conversations with Vadivelu are delightful to watch.

Initially, the film seems like a simple road trip story involving a thief and a memory-loss patient. However, as the layers are peeled back, the real twist emerges, revealing the true essence of the story. The film succeeds in keeping the actual theme under wraps until this reveal, which works very well.

The emotional core in the second half is effective at several points. Supporting actors like Sithara, despite a small role, perform admirably, while Vivek Prasanna is given a neat, well-executed part.

Minus Points:

The real challenge in a thriller movie is to maintain engagement once the main twist is revealed, and this is where many directors falter. Director Sudheesh Sankar is no exception. The writing by V. Krishna Moorthy could have been more engaging even after the twist. Had it been, the film could have remained a solid thriller.

The second half loses momentum and fails to maintain the thrill of the first half. Certain unnecessary scenes appear to drag the film. Both writing and execution contribute to this lapse. As a result, the runtime feels long, especially after the main twist is revealed. A better inclusion of secondary twists could have made it more engaging.

Kovai Sarala, as Assistant Commissioner Fareeda, doesn’t have much to contribute to the story. The director could have leveraged Sithara’s scenes more dramatically to evoke stronger emotional engagement. Additionally, including songs in such a thriller hampers the pacing.

Technical Aspects:

V. Krishna Moorthy’s Writing and Sudheesh Sankar’s direction are a delight in the initial part of the movie, but unfortunately, their quality declines in the second half. The camera work of Kalaiselvan Sivaji is passable; however, especially in the second half, Sreejith Sarang’s editing could have been better. Yuvan Shankar Raja’s score is just about alright, and it is a letdown that the songs in the Telugu version are not freely adapted, even though the dubbing is quite good. The production values seem to be nicely compatible with the content.

Verdict:
On the whole, Maareesan is a thriller that retains the viewers’ interest at some occasions. Vadivelu and Fahadh Faasil put out strong performances. Unfortunately, the second half gets a bit slow with unnecessary scenes and the storyline turning predictable, thereby having a lesser impact on the movie as a whole. The movie is good to see for the actors and the decent first half if you want, but don’t watch expecting a perfect thriller.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Mothevari Love Story

Mothevari Love Story

Web Series Name : Mothevari Love Story
Streaming Date : Aug 08, 2025
Streaming Platform : ZEE5
123telugu.com Rating : 2.75/5
Starring : Anil Geela, Varshini, Muralidhar, Sadhanna, Vijayalakshmi, & others
Director : Shiva Krishna Burra
Producers : Madura Sreedhar, Sriram Srikanth (My Village Show)
Music Director : Charan Arjun
Cinematographer  : Sreekanth Arupula
Editor : Anil Geela

Related Links : Trailer

Popular streaming platform ZEE5 has now dropped a new Telugu original series, “Mothevari Love Story.” Let’s see to what extent this comedy drama entertains.

Story:

Mothevari Bongula Parasuramulu (Malla Reddy) from Ayyaaru Palli, Telangana, writes a will naming someone as the heir to his property before committing suicide. His sons, Sathhayya (Muralidhar) and Narsingh Yadav (Sadhanna), share a strong brotherly bond and reclaim the lands their father had distributed to others. Meanwhile, the series also shows the love story between Parshi (Anil Geela) and Sathhayya’s daughter, Anitha (Varshini). Parshi tries everything to win Anitha’s hand in marriage, but along the way, he uncovers a shocking secret about his grandmother, Anumavva (Vijayalakshmi). How does the story unfold from here? Do Parshi and Anitha end up together? What challenges do they face? Watch the show to find out.

Plus Points:

The director does complete justice to the title, and that’s the best part of the show. The way Shiva Krishna Burra envisioned a love track and translated it onto the screen is pretty good. The icing on the cake is the seamless blending of Telangana culture with the plot. Especially the third and fourth episodes stand out.
The director succeeded in showing a pleasant love story (second love track) with good emotional moments. The romantic track between Parshi and Anitha entertains to some extent and is given a satisfying conclusion. Also, the series has its share of fun moments, which bring a gentle smile to our faces. Anil Geela and Varshini did a very good job. They fit the bill as villagers and nicely emoted the innocence present in their characters.

The casting for the flashback portions is commendable. Maira Puli and Raju Bhairagoni looked perfect as young Anumavva and young Parasuram. Not only did they look good, but they also performed well. Muralidhar Goud just continued from where he left off in Balagam and DJ Tillu. His command over the Telangana dialect is brilliant.

Narsingh Yadav’s role, played by Sadhanna, was designed in an interesting way, and the actor did justice to his part. The way he mouths some Telugu sayings is good to listen to. Vijayalakshmi and other artists also did what was required of them.

Minus Points:

The first four episodes have flaws, but the fun and emotions make us forget them. Each episode keeps getting better until the fourth one, so we feel connected to the series despite the slow start.

However, things slow down after the fourth episode. The narrative tends to give a routine feeling. A problem is introduced, and under the impression of solving it, the screenplay gets stretched. Since the climax isn’t groundbreaking, we feel that the drama in the middle portions is unnecessary.

Though one love track is neatly executed, the romantic track involving Parshi and Anitha only clicks in parts, leaving us wanting more. This aspect should have been handled better.

Technical Aspects:

Mothevari Love Story has good production values. The series feels more natural since it was shot in real locations. Sreekanth Arupula’s camera work is neat. Charan Arjun’s music is the show’s biggest asset. The background score and Telangana folk songs are superb. The editing could have been tighter. Instead of seven episodes, the series could have ended in six.

Director Shiva Krishna Burra took a decent plot and handled one romantic subplot very well. He showed promise by extracting good performances from the actors, evoking touching emotions, and neatly handling the flashback portions. However, he resorted to routine narration in some parts of the show. Overall, he did a decent job.

Verdict:

On the whole, Mothevari Love Story is a comedy-drama series that entertains in parts. The first four episodes offer a good amount of entertainment, but post that, the momentum drops significantly. The screenplay becomes routine at times, but the good music, the love story set against the Telangana backdrop, and some fun moments make this series an okay watch this weekend.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Web Series Name : Panchayat: Season 4
Streaming Date : June 24, 2025
Streaming Platform : Amazon Prime Video
123telugu.com Rating : 2.75/5
Starring : Jitendra Kumar, Neena Gupta, Raghubir Yadav, Faisal Malik, Chandan Roy, Sanvikaa, Durgesh Kumar, Sunita Rajwar, Ashok Pathak, Pankaj Jha
Directors : Akshat Vijaywargiya, Deepak Kumar Mishra
Producers : Prajesh Mishra, Shreyansh Pandey, Vijay Koshy, Arunabh Kumar, Syed Zaid Ali, Zohaib Ali
Music Director : Anurag Saikia
Cinematographer : Amitabha Singh
Editors : Amit Kulkarni
Related Links : Trailer

One of the most popular Hindi web series, Panchayat, is back with its fourth season, now streaming exclusively in Hindi on Amazon Prime Video. Curious to know how this latest chapter unfolds? Here’s our full review.

Story:

Abhishek Tripathi, known as Sachivji (Jitendra Kumar), is focused on his CAT exams while tensions rise in Phulera. Pradhanji (Raghubir Yadav), after surviving a gunshot, files a case against Bhushan aka Banrakas (Durgesh Kumar) and MLA Chandu Singh (Pankaj Jha). Meanwhile, Abhishek faces a case for assaulting Bhushan. When he tries to apologise, Bhushan asks for a favour in return. The story then follows how the political rivalry between Pradhanji and Bhushan intensifies and where it eventually leads.

Plus Points:

The show continues to draw strength from its rooted characters and realistic tone. Jitendra Kumar delivers a calm and convincing performance. His understated presence aligns well with the series’ storytelling. He is backed by a capable cast that maintains the authenticity and emotional texture of the village setting.

Durgesh Kumar as Bhushan is one of the season’s biggest standouts. He brings an energy to his role, portraying the village troublemaker with impressive ease. Sunita Rajwar, as his wife Kranti Devi, offers strong support and holds her own in key scenes.

Raghubir Yadav as Pradhanji remains a dependable presence. Neena Gupta as Manju Devi, Faisal Malik as Prahlad, and Ashok Pathak as Binod all contribute with their natural performances. The chemistry among the cast remains a strong asset.

Scenes like the argument over laddoos, the uncomfortable dinner that follows, the IT raid, and the MLA’s cutting sarcasm offer moments of intrigue and humour that remind viewers why the series earned its place.

Minus Points:

Despite its familiar setting and beloved characters, this season struggles to find rhythm. While earlier seasons thrived on simplicity, warmth, and subtle humour, this one leans heavily into politics and loses the emotional core that once defined it.

The first few episodes set things up well, but the story begins to drag midway. The pacing slows, and many scenes feel stretched beyond purpose. The plot remains too safe and lacks any twists. The emotional depth is minimal, and the humour feels faint, leaving the audience waiting for more impact.

Rinki, played by Sanvikaa, is barely present and her character arc feels half-hearted. What could have been a meaningful thread is reduced to brief appearances that don’t carry much weight.

The cliffhanger ending leaves several questions hanging, which may not sit well with viewers hoping for closure.

Technical Aspects:

Direction by Akshat Vijaywargiya and Deepak Kumar Mishra is steady but uninspired. Writer Chandan Kumar struggles to inject the same charm and balance that earlier seasons had. The screenplay lacks freshness and too often feels padded.

Cinematography by Amitabha Singh is serviceable and maintains the familiar look of the show. However, the editing falls short. Several scenes run longer than necessary and could have benefited from tighter cuts to improve the flow.

The background score fits the mood but does not stand out. Production quality remains consistent with earlier seasons.

Verdict:

On the whole, Panchayat Season 4 tries to explore deeper political dynamics but loses the simplicity and emotional resonance that made the show special. The performances, especially from Jitendra Kumar and Durgesh Kumar, keep it afloat, but the overall experience feels diluted. With slower pacing, minimal humour, and few memorable moments, this chapter underwhelms. Fans may still find parts to enjoy, but should approach with modest expectations and plenty of patience.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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